Things to keep in mind:
The secret of description.
Meditation. Three elementary possibilities for the novelist: he tells a story (Fielding), he describes a story (Flaubert), he thinks a story (Musil). The nineteenth-century novel of description was in harmony with the (positivist, scientific) spirit of the time. To base a novel on a sustained meditation goes against the spirit of the twentieth century, which no longer likes to think at all.
—posted 607 days ago
