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The ten thousand things and the one true only.

by Kip Manley

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Things to keep in mind:
The secret of phantasy.

Psycho-analysis divides people into two types—introverted and extraverted. Introversion represents error in man, a straying away from reality into self, a going of the mind into mind. Both psycho-analysis and criticism agree that this process cannot, or rather should not produce art. Both processes, or their possibility, exist in each individual (psycho-analysis is forced to admit that introversion always exists; extraversion exists if the individual is “successful”). They may, it is held, be combined in phantasy; and phantasy produces “living reality,” art. But what is this phantasy but the whole introversive world of man behaving extraversively—the collective-real? Unless it is introversion actually transformed in the individual into extraversion, individual mind into matter of “more than individual use” (as Mr. Read defines creative phantasies)—the individual-real? The opposition between collective-real and individual-real disappears in the general agreement between all parties that, by no matter what method, introversion must be extraverted. Likewise the opposition between romanticism and classicism: romanticism is acceptable if it has an extraverted, classical touch; classicism is not necessarily damaged by an introverted, romantic touch, so long as it does not lose complete hold of extraversion.

Laura (Riding) Jackson

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