the Newis Glad:

Things to keep in mind:
The secret of the seann sgeòil.

Tolkien, Howard, and Lovecraft are only three of many examples: ideas about Celticness have permeated the fantasy genre in all its forms, sometimes explicitly embraced and sometimes absorbed by osmosis as simply part of fantasy’s genre conventions. As Cox has observed, “Celticity holds an ever-present position in fantasy media, but in so doing it becomes effectively invisible because it becomes associated with the fantasy genre rather than any particular source culture.” This then drives writers and audiences to turn back to what they consider “authentic” sources—often wildly out of date or simply made up—of “Celtic” tradition in order to supplement what they perceive as the “generic” æsthetic resources of fantasy. Cox describes this as a “double exposure”—

Things to keep in mind:
The secret of burning your tongue.

Rereading is the key here. We’re familiar with rereading whole stories that we like or ones with endings that puzzle us. But what Lish, and writers of this ilk, ask us to do is to reread sentences in the course of making our first reading. This assumes a reader, a listener even, with the patience to linger over the page, its construction. (Gary Lutz prefers a “page-hugging” to a page-turning reader.)

Things to keep in mind:
The secret of skating.

If, as the reader, you drew moral conclusions about them, if you drew conclusions of any sort, they were yours. Of course she was cheating. She wasn’t absent from the text. She had gone underground and you were hearing her voice speaking from every part of the fiction, even the furniture in the central character’s front room.

the most Recent installment:

a Half-dozen T-shirts, most of them black– Formal dress– Some qualities of Vengeance– Every felicitation–

A half-dozen T-shirts, most of them black, are scattered across the unmade futon. There’s a red one that says Farmers & Mechanics Bank in peeling brown letters. The empty legs of tights unrolled, unfolded lying across them, black again, red, dull green, blue jeans, grey jeans that once were black, a couple pairs of workpants, plumber’s navy, package delivery brown, frayed cuffs and the greasy sheen of nylon. Soft flannel shirts, arms tangled, dark green, a plaid of faded berry colors, a short black denim skirt, a longer Catholic tartan. Ysabel in an oversized blue sweatshirt that says Brigadoon! squats at the foot of the futon, looking over it all. The droning spatter of the shower cuts off, and there’s Jo’s voice, “Somewhere like New York City sounds oh so pretty, but let’s leave the timing to fate– !” Ysabel leans over and scoops a double handful of underwear and socks from one of the blond wood crates against the wall.

“I’ll be the one in tears,” sings Jo, coming out of the bathroom in a pair of boxer shorts, towelling her hair, “I’ll be the one who’s trying to make up for the what the fuck?”

Ysabel’s holding up a pair of washed-out pink underwear with a finger crooked through the split side seam. “Do these have some sort of sentimental value?” she says, frowning theatrically.